The work of Portishead co-founder Geoff Barrow, this sharp-edged though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it results in a hilariously staged rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from 17 November.
